(Askeri) HAREKAT ALANI POSTA HİZMETİ: Bir harekat alanında, merkez dairesi tarafından yapılan posta hizmeti. Bir harekat alanı posta hizmeti, posta için doğru adresleri verilir. Bu adresler mevcut olmadığı takdirde, ordu postanesi mektupları yerlerine gönderemez
(Askeri) HAREKAT ALANI İSTEK TAHMİN RAPORU: Her denizaşırı komutanlık tarafından üç ayda bir gönderilen ve üçer aylık müteakip her devre içinde A. B. D. den istekte bulunulması hesaplanmış standard stok listesi ikmal maddeleri tahmini miktarını gösteren rapor
(Askeri) HAREKAT ALANI MERKEZ KOMUTANI: Bir harekat alanı komutanının erkanında bulunan ve harp esirlerinin toplanma ve muhafazası dahil olmak üzere, bütün askeri inzibat işlerinden sorumlu olan üstsubay
(Askeri) HAREKAT ALANI STOK SEVİYESİ: Bir harekat alanında dağıtıma hazır stok olarak bulundurulmasına kara kuvvetleri komutanlığınca yetki verilmiş ikmal maddeleri miktarı. Buna (theater control level) da denir
(Askeri) HAREKAT ALANI FİİLİ KUVVESİ: Yetki verilmiş birliklerin teşkilat ve malzeme kadro mevcutları, yetki verilmiş idari destek personelinden tahsis edilenler (toplam olarak) ile ikmal ve tahliye kanalında bulunan yetki verilmiş değiştirme personeli ve sevke tabi personel toplamı
In ancient Greece, going to the theater was a celebration of community, and the dramas and comedies portrayed moral virtue and vice The structure was built into a hillside and the wall behind the stage structure was relatively low, so that the the audience could, by looking over the actors heads, view the entire polis
A form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious, and meaningless dialogue, purposeless and confusing situations, and plots that lack realistic or logical development
only mentioned in Acts 19: 29, 31 The ruins of this theatre at Ephesus still exist, and they show that it was a magnificent structure, capable of accommodating some 56,700 persons It was the largest structure of the kind that ever existed Theatres, as places of amusement, were unknown to the Jews
A theatre of war or other conflict is the area or region in which the war or conflict is happening. The Middle East has often been a theatre of war. Building or space in which performances are given before an audience. It contains an auditorium and stage. In ancient Greece, where Western theatre began (5th century BC), theatres were constructed in natural hollows between hills. The audience sat in a tiered semicircle facing the orchestra, a flat circular space where the action took place. Behind the orchestra was the skene. The theatres of Elizabethan England were open to the sky, with the audience looking on from tiered galleries or a courtyard. During this period the main innovation was the rectangular thrust stage, surrounded on three sides by spectators. The first permanent indoor theatre was Andrea Palladio's Olimpico Theatre in Vicenza, Italy (1585). The Farnese Theatre in Parma (1618) was designed with a horseshoe-shaped auditorium and the first permanent proscenium arch. Baroque European court theatres followed this arrangement, elaborating on the interior with tiered boxes for royalty. Richard Wagner's Festspielhaus in Bayreuth, Ger. (1876), with its fan-shaped seating plan, deep orchestra pit, and darkened auditorium, departed from the Baroque stratified auditorium and reintroduced Classical principles that are still in use. The proscenium theatre prevailed in the 17th-20th centuries; though still popular in the 20th century, it was supplemented by other types of theatre, such as the thrust stage and theatre-in-the-round. In Asia, stage arrangements have remained simple, with the audience usually grouped informally around an open space; notable exceptions are the n drama and kabuki of Japan. See also amphitheatre; odeum. Live performance of dramatic actions in order to tell a story or create a spectacle. The word derives from the Greek theatron ("place of seeing"). Theatre is one of the oldest and most important art forms in cultures worldwide. While the script is the basic element of theatrical performance, it also relies in varying degrees on acting, singing, and dancing, as well as on technical aspects of production such as stage design. Theatre is thought to have its earliest origins in religious ritual; it often enacts myths or stories central to the belief structure of a culture or creates comedy through travesty of such narratives. In Western civilization, theatre began in ancient Greece and was adapted in Roman times; it was revived in the medieval liturgical dramas and flourished in the Renaissance with the Italian commedia dell'arte and in the 17th-18th centuries with established companies such as the Comédie-Française. Varying theatrical forms may evolve to suit the tastes of different audiences (e.g., in Japan, the kabuki of the townspeople and the n theatre of the court). In Europe and the U.S. in the 19th and early 20th centuries theatre was a major source of entertainment for all social classes, with forms ranging from burlesque shows and vaudeville to serious dramas performed in the style of the Moscow Art Theatre. Though the musicals of Broadway and the farces of London's West End retain their popular appeal, the rise of television and movies has eroded audiences for live theatre and has tended to limit its spectators to an educated elite. See also little theatre. Abbey Theatre American Ballet Theatre Apollo Theatre black theatre civic theatre Drury Lane Theatre epic theatre Globe Theatre Group Theatre little theatre Living Theatre The Mariinsky Theatre Kirov Theatre Maryinsky Theatre Moscow Art Theatre music hall and variety theatre Noh theatre No theatre repertory theatre Royal National Theatre Theatre Guild Theatre of the Absurd Theatre of Cruelty Theatre of Fact documentary theatre theatre in the round
(noun.) 14th century. From Middle English theater, from Old French theatre, from Latin theatrum, from Ancient Greek θέατρον (théatron, “a place for viewing”), from θεάομαι (theáomai, “to see", "to watch", "to observe”).
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