giacomo

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{i} male first name
Domenico di Giacomo di Pace Giacomo Della Chiesa Carissimi Giacomo Casanova Giovanni Giacomo Francesco di Marco di Giacomo Raibolini Leopardi Giacomo Manzù Giacomo Giacomo Manzoni Matteotti Giacomo Meyerbeer Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria
Giacomo Antonio Domenico Michele Secondo Maria Puccini
born Dec. 22, 1858, Lucca, Tuscany died Nov. 29, 1924, Brussels, Belg. Italian composer. Born into a family of organists and choirmasters, he was inspired to write operas after hearing Giuseppe Verdi's Aïda in 1876. At the Milan Conservatory he studied with Amilcare Ponchielli (1834-86). Puccini entered his first opera, Le villi (1883), in a competition; though it lost, a group of his friends subsidized its production, and its premiere took place with immense success. His second, Edgar (1889), was a failure, but Manon Lescaut (1893) brought him international recognition. His mature operas included La Bohème (1896), Tosca (1900), Madam Butterfly (1904), and The Girl of the Golden West (1910). All four are tragic love stories; his use of the orchestra was refined, and he established a dramatic structure that balanced action and conflict with moments of repose, contemplation, and lyricism. They remained exceedingly popular into the 21st century. He was the most popular opera composer in the world at the time of his death; his unfinished Turandot was completed by Franco Alfano (1875-1954)
Giacomo Carissimi
(baptized April 18, 1605, Marino, near Rome died Jan. 12, 1674, Rome) Italian composer. He worked as maestro di cappella at the Collegio Germanico in Rome, a musically important post at a notable Jesuit institution, from 1629 until his death. His approximately 15 oratorios (performed in place of operas during Lent), including Baltazar, Ezechia, Jephte, Jonas, and Judicium extremum made him the principal oratorio composer of the mid-17th century. He also wrote some 150 cantatas and nearly 100 motets
Giacomo Casanova
an Italian writer famous for having had many lovers (1725-98)
Giacomo Leopardi
born June 29, 1798, Recanati, Papal States died June 14, 1837, Naples Italian poet, scholar, and philosopher. Congenitally deformed, he suffered throughout his life from chronic ailments and frustrated hopes. His usually pessimistic poetry is admired for its brilliance, intensity, and effortless musicality. His verse collections include Canzoni (1824), Versi (1826), and I canti (1831). His finest poems are probably the lyrics called "Idillii" in early editions of his poetry. Operette morali (1827; "Minor Moral Works") is an influential philosophical exposition, mainly in dialogue form, of his doctrine of despair. He is considered among the great Italian writers of the 19th century
Giacomo Manzù
orig. Giacomo Manzoni born Dec. 22, 1908, Bergamo, Italy died Jan. 17, 1991, Ardea Italian sculptor. Apprenticed at an early age, he learned to work in wood, metal, and stone. In 1950, after making a name for himself with sculptures of more than 50 Roman Catholic cardinals and a series of female nudes, he was commissioned to create sculptural bronze doors for St. Peter's Basilica. His sober realism and extremely delicate modeling achieved both severity and sensuousness of form
Giacomo Matteotti
born May 22, 1885, Fratta Polesine, Italy died June 10, 1924, Rome Italian Socialist leader. A lawyer, he joined the Italian Socialist Party and was elected to the Chamber of Deputies in 1919. As head of the Socialists in 1924, he strongly denounced the Fascist Party. Two weeks after his speech, he was kidnapped and murdered by fascists. The murder created a worldwide scandal, and Benito Mussolini took responsibility as head of the Fascist Party and dared his critics to prosecute him. Opposition was weak, and the Matteotti crisis enabled Mussolini to further consolidate his power
Giacomo Meyerbeer
orig. Jakob Liebmann Meyer Beer born Sept. 5, 1791, Tasdorf, near Berlin, Ger. died May 2, 1864, Paris, Fr. German composer. Brother of the astronomer Wilhelm Beer and the playwright Michael Beer, he achieved early success as a pianist. After he studied vocal writing in Italy, his Italian operas were well received. In Paris from 1825, he undertook work on a libretto by Eugène Scribe, and his Robert le Diable (1831) was one of opera's greatest triumphs from its premiere. Three later grand operas also became part of the international repertoire: Les Huguenots (1836), Le Prophète (1849), and L'Africaine (1864). Richard Wagner's criticism of Meyerbeer's "desertion" of German music, tainted by jealousy and anti-Semitism, led to neglect of his music for many years, but Meyerbeer exercised unmistakable influence on both Giuseppe Verdi and Wagner himself
Giacomo Puccini
an Italian composer famous for his operas, especially La Bohéme, Tosca, and Madame Butterfly (1858-1924). born Dec. 22, 1858, Lucca, Tuscany died Nov. 29, 1924, Brussels, Belg. Italian composer. Born into a family of organists and choirmasters, he was inspired to write operas after hearing Giuseppe Verdi's Aïda in 1876. At the Milan Conservatory he studied with Amilcare Ponchielli (1834-86). Puccini entered his first opera, Le villi (1883), in a competition; though it lost, a group of his friends subsidized its production, and its premiere took place with immense success. His second, Edgar (1889), was a failure, but Manon Lescaut (1893) brought him international recognition. His mature operas included La Bohème (1896), Tosca (1900), Madam Butterfly (1904), and The Girl of the Golden West (1910). All four are tragic love stories; his use of the orchestra was refined, and he established a dramatic structure that balanced action and conflict with moments of repose, contemplation, and lyricism. They remained exceedingly popular into the 21st century. He was the most popular opera composer in the world at the time of his death; his unfinished Turandot was completed by Franco Alfano (1875-1954)
Giovanni Giacomo Casanova
born April 2, 1725, Venice died June 4, 1798, Dux, Bohemia Italian ecclesiastic, writer, soldier, spy, and diplomatist. Expelled from a seminary for scandalous conduct, he launched a dissolute career that took him throughout Europe. In Venice in 1755 he was denounced as a magician and imprisoned; he escaped and fled to Paris, where he mingled with the aristocracy. Fleeing from creditors, he took the name Chevalier de Seingalt and traveled again before returning to Venice in 1774 to become a spy for the Venetian inquisitors of state. He spent his late years (1785-98) as librarian to the Count von Waldstein in Bohemia. His huge autobiography, first published in 12 volumes in 1825-38, gives a splendid picture of 18th-century Europe; it established his reputation as an extraordinary seducer of women
giacomo