william hogarth

listen to the pronunciation of william hogarth
الإنجليزية - الإنجليزية
(1697-1764) English painter and engraver known for his satirical works (such as "Industry and Idleness")
He took private drawing lessons while earning a living as an engraver of book illustrations. His first major work, the satirical engraving Masquerades and Operas, attacked contemporary taste and questioned the art establishment, thus winning him many enemies. In 1728 he embarked on a painting career with a work that reveals his interest in theatre and comic subject matter, A Scene from "The Beggar's Opera"; he also painted "conversation pieces" (informal group portraits) for wealthy clients. His engravings of modern morality subjects, often in sequential sets, were aimed at a wide public, and their outstanding success established his financial independence. To safeguard his livelihood against pirated editions, he fought for legislation protecting artists' copyright. Britain's first copyright act was passed in 1735, the year he published his satirical eight-part series The Rake's Progress. His other satirical series include A Harlot's Progress (1730-31) and Marriage à la Mode (1743-45). The teaching academy he established led to the founding of the Royal Academy (1768)
a British artist who painted very detailed pictures showing the immoral pleasures of his time, such as 'The Rake's Progress' and 'Marriage ... la Mode' (1697-1764). born Nov. 10, 1697, London, Eng. died Oct. 26, 1764, London British painter and engraver. Apprenticed at 15 to a silversmith, he opened his own engraving and printing shop at
william hogarth

    الواصلة

    Wil·liam Ho·garth

    التركية النطق

    wîlyım hōgärth

    النطق

    /ˈwəlyəm ˈhōˌgärᴛʜ/ /ˈwɪljəm ˈhoʊˌɡɑːrθ/
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