francesco

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الإنجليزية - الإنجليزية
Francesco di Cristofano de Giudicis Girolamo Francesco Maria Mazzola Francesco Petrarca Albani Francesco Francesco Albano Roberto Francesco Romolo Bellarmino Borromini Francesco Francesco Castelli Cavalli Pier Francesco Pietro Francesco Caletti Bruni Crispi Francesco Francia Francesco Francesco di Marco di Giacomo Raibolini Francesco di Pietro di Bernardone Guardi Francesco Giovanni Francesco Barbieri Landini Francesco Francesco Landino Laurana Francesco Francesco Forgione Poggio Bracciolini Gian Francesco Primaticcio Francesco Redi Francesco Sforza Francesco Francesco della Rovere Verdi Giuseppe Fortunato Francesco
Francesco Albani
or Francesco Albano born March 17, 1578, Bologna, Papal States died October 1660, Bologna Italian painter. He trained with the Carracci family in Bologna then moved to Rome in 1601 and collaborated with Annibale Carracci and Domenichino on the decoration of the Farnese Palace. While in Rome he established his own studio and painted frescoes in various churches and palaces. In 1617 he returned to Bologna and produced altarpieces, allegorical paintings, and idyllic landscapes. His best-known paintings are of mythological and poetic subjects
Francesco Borromini
orig. Francesco Castelli born Sept. 25, 1599, Bissone, Duchy of Lombardy died Aug. 2, 1667, Rome Italian Baroque architect. Though he worked with Gian Lorenzo Bernini on the design of the famous baldachin in St. Peter's Basilica, the two later became bitter rivals. Borromini's first independent commission was the Roman church and monastery of San Carlo alle Quattro Fontane (1638-41), the dome of which appears to float because its spring points (see arch) and light sources are concealed below. His works, composed of flowing concave and convex forms, contain spaces that are irregular ovals and polygons, as at Sant'Ivo della Sapienza (1642-60). His fortunes declined in later years, and in 1667 he committed suicide. His influence was felt in northern Italy and central Europe in the next century
Francesco Cavalli
orig. Pietro Francesco Caletti-Bruni born Feb. 14, 1602, Crema, Republic of Venice died Jan. 14, 1676, Venice Italian opera composer. In his teens he was a singer under Claudio Monteverdi at St. Mark's Basilica, Venice. Also an organist, he would rise to the post of maestro di cappella there in 1668. He wrote some 30 operas for Venice's public opera houses. The most popular opera composer of the decades following Monteverdi's death, he was the latter's leading successor, his chief rival for that status being Antonio Cesti (1623-69). His most celebrated operas were Egisto (1643), Giasone (1649), Xerse (1654), and Erismena (1655)
Francesco Crispi
born Oct. 4, 1819, Ribera, Sicily died Aug. 12, 1901, Naples Italian politician. Exiled from Sicily for his revolutionary activities, he became an associate of Giuseppe Mazzini and encouraged Giuseppe de Garibaldi to conquer Sicily in 1860. He served as a deputy from Sicily in the newly unified Italian parliament (1861-96) and held office in several leftist governments. As premier (1887-91, 1893-96), he instituted liberal reforms and later improved the economy but became increasingly repressive. He embarked on a disastrous foreign policy, organizing Eritrea as a colony and attempting colonial expansion in Africa. He was forced to resign after the Italian defeat at the Battle of Adwa
Francesco Francia
orig. Francesco di Marco di Giacomo Raibolini born 1450, Bologna died Jan. 5, 1517/18, Bologna Italian Renaissance artist, the major Bolognese painter of the late 15th and early 16th centuries. He was originally a goldsmith. His early works were influenced by the Ferrarese painter Lorenzo Costa ( 1460-1535), though the strongest influences on his style were the works of Perugino and Raphael. His workshop produced numerous sweet, excessively refined Madonnas; he also specialized in portraiture
Francesco Guardi
born 1712, Venice died 1793, Venice Italian landscape painter. He and his two brothers collaborated in a flourishing studio-workshop in Venice; their sister was married to Giovanni Battista Tiepolo. By the 1750s Francesco was producing vedute (view paintings) of Venice. His many romantic impressions of the city never achieved the popularity of Canaletto's near-photographic records of its architecture, and his work came to be appreciated only after the rise of Impressionism
Francesco Landini
or Francesco Landino born 1335, Fiesole, near Florence died Sept. 2, 1397, Florence Italian composer, organist, and poet. Blinded by smallpox as a child, he took up the study of music and the organ. He later became an organ builder as well as a composer, lyricist, and performer of more than 150 beautifully melodic two-and three-part songs. Landini's works represent about a quarter of the music that survives from the Italian Ars Nova (14th century)
Francesco Laurana
born 1430, Vrana, Dalmatia, republic of Venice died before March 12, 1502, Avignon, Fr. Italian sculptor and medalist. His early life is obscure. In 1453 he was commissioned to work on the Castel Nuovo in Naples. From 1461 to 1466 he was in Provence at the court of the duke of Anjou, for whom he executed a series of medals. His other documented works include Madonnas and bas-reliefs in Italy (chiefly Sicily and Naples) and France, as well as tombs and architectural sculptures in France. He is best known for his portrait busts of women, characterized by serene, detached dignity and aristocratic elegance
Francesco Petrarca
{i} Francesco Petrarch (1304-1374), Italian humanist and poet who was famous for love lyrics
Francesco Petrarch
{i} Francesco Petrarca (1304-1374), Italian humanist and poet who was famous for love lyrics
Francesco Primaticcio
born April 30, 1504, Bologna, Emilia died 1570, Paris, France Italian-born French painter, sculptor, and architect. In 1532 Francis I invited him to help redecorate the Fontainebleau Palace, and Primaticcio became one of the principal artists in France; he remained there the rest of his life, making only brief trips to Italy. His decorative style in painting and stucco sculpture stressed the human figure; the exaggerated musculature and active, elongated forms of his figures greatly influenced 16th-century French art. One of the first artists in France to replace religious themes with those of Classical mythology, he brought a quiet French elegance to Italian Mannerism
Francesco Redi
born Feb. 19, 1626, Arezzo, Italy died March 1, 1697, Pisa Italian physician and poet. While working as physician to the dukes of Tuscany, he demonstrated in 1668, in one of the first biological experiments with proper controls, that the presence of maggots in rotting meat does not result from spontaneous generation. Redi set up a series of flasks containing different meats; half were sealed, half open. He repeated the experiment, replacing the sealed flasks with gauze-covered flasks. Though the meat in all the flasks rotted, Redi found that only in the uncovered flasks, which flies had entered freely, did the meat contain maggots. As a poet, he is known chiefly for his "Bacco in Toscana" (1685)
Francesco Sforza
born July 23, 1401, San Miniato, Tuscany died March 8, 1466, Milan Italian mercenary and duke of Milan (1450-66). He became condottiere of Florence in 1434 and defeated Milan twice (1438, 1440), then was hired by the Milanese to serve as captain general in their struggle to found a republic (1447). He later blockaded the city and seized control, becoming duke of Milan in 1450, and he allied with Florence to secure the Peace of Lodi (1454). See also Sforza family
Alessandro Francesco Tommaso Manzoni
{i} Alessandro Manzoni (1785-1873), Italian writer and poet
Gian Francesco Poggio Bracciolini
born Feb. 11, 1380, Terranuova, Tuscany died Oct. 30, 1459, Florence Italian humanist and calligrapher. While working as a copyist of manuscripts, Poggio invented the humanist script, which later became the prototype for Roman fonts in printing. He traveled to various monasteries in Europe, uncovering lost, forgotten, or neglected classical Latin manuscripts, including works by Cicero and Lucretius. He also translated works by Lucian, Xenophon, and others into Latin. His own writings include moral dialogues and Facetiae (1438-52), a collection of humorous tales containing satires of his contemporaries
Giuseppe Fortunato Francesco Verdi
v. born Oct. 9/10, 1813, Roncole, near Busseto, duchy of Parma died Jan. 27, 1901, Milan, Italy Italian composer. He was the son of an innkeeper, and he showed talent early. While earning a living as an organist, he began to write operas in Milan; in 1839 his Oberto was successfully performed at La Scala, and it initiated Verdi's long association with the publisher Giulio Ricordi. His next opera, Un giorno di regno (1840), was a failure. Much worse, Verdi's two young daughters and his wife died. He overcame his despair by composing Nabucco (1842); it was a sensational success and was followed by the equally successful I Lombardi (1843). For the rest of the decade he wrote a hit opera every year. Rejecting the prevailing structure of Italian opera a patchwork of open-ended scenes and inserted arias, duets, and trios he began conceiving of an opera as a series of integrated scenes, then as unified acts. Specializing in stories in which people's private and public lives come into conflict, he produced a series of masterworks, including Rigoletto (1851), Il trovatore (1853), La traviata (1853), Don Carlos (1867), and Aïda (1871). A fervent nationalist, he was regarded as a great national figure. After composing his Requiem (1874), he retired, but when Ricordi brought him together with the poet and composer Arrigo Boito, initially to revise Simon Boccanegra, their mutual esteem led to the two great operas of Verdi's old age, Otello (1886) and Falstaff (1890)
Pier Francesco Cavalli
orig. Pietro Francesco Caletti-Bruni born Feb. 14, 1602, Crema, Republic of Venice died Jan. 14, 1676, Venice Italian opera composer. In his teens he was a singer under Claudio Monteverdi at St. Mark's Basilica, Venice. Also an organist, he would rise to the post of maestro di cappella there in 1668. He wrote some 30 operas for Venice's public opera houses. The most popular opera composer of the decades following Monteverdi's death, he was the latter's leading successor, his chief rival for that status being Antonio Cesti (1623-69). His most celebrated operas were Egisto (1643), Giasone (1649), Xerse (1654), and Erismena (1655)
francesco

    الواصلة

    Fran·ces·co

    التركية النطق

    fränçeskō

    النطق

    /franˈʧeskō/ /frænˈʧɛskoʊ/
المفضلات