visconti

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luchino visconti
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Italian stage and film director considered a founder of the Italian neo-realist style, which focused on ordinary people and postwar social issues. His films include La Terra Trema (1948) and Death in Venice (1971). Tebaldo Visconti Visconti Gian Galeazzo Visconti Luchino Don Luchino Visconti count di Modrone
Italian filmmaker (1906-1976)

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Gian Galeazzo Visconti
v. known as Count of Valor born 1351, Milan died Sept. 3, 1402, Melegnano, near Milan Leader of Milan who brought the Visconti dynasty to its height. The son of Galeazzo II Visconti, who shared the rule of Milan with his brother, Gian Galeazzo united all the Visconti lands, added the march of Treviso (1387), and became a prince of the Holy Roman Empire through bribery. By 1402 he held Pisa, Siena, Umbria, and Bologna. He was close to becoming ruler of all of northern Italy and was planning an attack on Florence when he died of the plague
Luchino Visconti
v. orig. Don Luchino Visconti, count di Modrone born Nov. 2, 1906, Milan died March 17, 1976, Rome Italian film and theatre director. Born into the nobility, he became an assistant to Jean Renoir in 1935. He directed his first film, Ossessione (1942), in a style foreshadowing the Neorealism of Roberto Rossellini and Vittorio De Sica. His later films include the documentary-style drama La terra trema (1948), Senso (1954), Rocco and His Brothers (1960), The Leopard (1963, Golden Palm), The Damned (1969), and Death in Venice (1971). As a stage director, he introduced to Italy works by Jean Cocteau, Arthur Miller, and Tennessee Williams, and he staged operas starring Maria Callas that combined realism and spectacle
count di Modrone Don Luchino Visconti
orig. Don Luchino Visconti, count di Modrone born Nov. 2, 1906, Milan died March 17, 1976, Rome Italian film and theatre director. Born into the nobility, he became an assistant to Jean Renoir in 1935. He directed his first film, Ossessione (1942), in a style foreshadowing the Neorealism of Roberto Rossellini and Vittorio De Sica. His later films include the documentary-style drama La terra trema (1948), Senso (1954), Rocco and His Brothers (1960), The Leopard (1963, Golden Palm), The Damned (1969), and Death in Venice (1971). As a stage director, he introduced to Italy works by Jean Cocteau, Arthur Miller, and Tennessee Williams, and he staged operas starring Maria Callas that combined realism and spectacle
visconti