kurzgeschichte

listen to the pronunciation of kurzgeschichte
Немецкий Язык - Турецкий язык
[die] kısa hikâye
n {'kurtsgışihtı} e kısa öykü
n. e. 'kurtsgışihtı kısa öykü
Английский Язык - Турецкий язык

Определение kurzgeschichte в Английский Язык Турецкий язык словарь

short story
kısa hikâye

Trajedinin kalbi, bir kısa hikaye olarak, bir çatışmadır. - The heart of the tragedy, as of a short story, is a conflict.

Paul dün gece bir kısa hikaye okuyordu. - Paul was reading a short story last night.

short story
hikâye, öykü
Немецкий Язык - Английский Язык
short story

I have been busy writing a short story. - Ich war damit beschäftigt, eine Kurzgeschichte zu schreiben.

Tom is writing a short story. - Tom schreibt eine Kurzgeschichte.

A work of fiction that is shorter than a novel
fiction under 10,000 words but usually less than 7,000 for most markets In Sci Fi it's less than 7,500 words Read submission guidelines to find out what the publication will accept as their word limit
A brief, fictional prose narrative
a literary prose piece, usually a narrative, which focuses sharply on one character or event; generally readable in a single sitting
literary form which is shorter than a novel and is often characterized by a small number of characters and a unified theme
a fictional writing, usually longer than an essay but shorter than a book
an invented prose narrative shorter than a novel usually dealing with a few characters and often concentrating on the creation of mood rather than plot
a prose narrative shorter than a novel
A piece of fiction designed to give a single impression and short enough to be read at one sitting
A short story is a written story about imaginary events that is only a few pages long. He published a collection of short stories. A short piece of prose fiction, having few characters and aiming at unity of effect. a short written story about imaginary situations and characters. Brief fictional prose narrative. It usually presents a single significant episode or scene involving a limited number of characters. The form encourages economy of setting and concise narration; character is disclosed in action and dramatic encounter but seldom fully developed. A short story may concentrate on the creation of mood rather than the telling of a story. Despite numerous precedents, it emerged only in the 19th century as a distinct literary genre in the works of writers such as E.T.A. Hoffmann, Heinrich Kleist, Edgar Allan Poe, Prosper Mérimée, Guy de Maupassant, and Anton Chekhov