impressionism

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a style that used imagery and symbolism to portray the poet's impressions
a style that avoided traditional harmony, and sought to invoke the impressions of the composer
a movement in art characterized by visible brush strokes, ordinary subject matters, and an emphasis on light and its changing qualities
An art style developed in the 19th century, characterized by broken colour and soft edges
a late 19th-century style in which the artist uses sound or visual imagery to capture moments of transient reality Painters usually did this by applying short strokes, or dabs, of pure color Musicians did it by suggesting moods and places through lush, shifting harmonies and vague rhythms
- A 19th century Western art movement characterized by the use of small touches of pure color, painting outdoors in order to catch the essence of a fleeting time of day and depictions of contemporary life
A late 19C art movement interested in capturing the fleeting qualities of light, color, and atmosphere They often painted on location (outside rather than in their studios) with larger brushes and bright, prefabricated oil paints The name was coined by an art critic who used the title of a Monet seascape (Impression-Sunrise) as his inspiration
The perception of reality that is mediated by personal emotion and reason In art, an impression was distinct from a representation The early impressionists like Claude Monet (1840-1926) tried to bring more light and atmosphere into the painting's slice of life Starting with a white background (instead of dark or black), impressionists worked toward the darker colors Previous painters had started with a dark background and worked toward the lighter colors
(term borrowed from the world of painting) It is used to describe music that interprets its title not in a narrative or dramatic way, but rather by giving a 'colorful' impression of a particular experience or moemnt Debussy and Ravel have been credited with Impressionist works
beginning in France in the 1860's, a significant art movement and style of painting where artists attempted to paint their subjects in a way that showed the changing effects of natural lighting throughout the day Monet, Cézanne, Sisley, Renoir and Pissarro are members of the group of Impressionist painters
A French artistic movement of the late nineteenth and early twentieth centuries
a term usually used to describe paintings, it is used to describe music by composers such as Ravel and Debussy who tried to leave the listener with an impression rather than a definite description
The impressionist style of painting is characterized chiefly by concentration on the general impression produced by a scene or object and the use of unmixed primary colors and small strokes to simulate actual reflected light
A form of jazz involving collective improvisation in which the musicians often forego their standard ensemble roles and instead contribute whatever the music seems to need in the moment
A theory or practice in painting depicting the natural appearances of objects by means of dabs or strokes of primary unmixed colors in order to simulate actual reflected light
A style of music, exemplified in the works of Debussy, that avoids explicit statement and literal description, but instead emphasizes suggestion and atmosphere, evokes moods, and conveys impressions of images and feelings
a style that used imagery and symbolism to portray the poets impressions
Late 19th-century French school dedicated to defining transitory visual impressions painted directly from nature, with light and color of primary importance If the atmosphere changed, a totally different picture would emerge It was not the object or event that counted but the visual impression as caught at a certain time of day under a certain light Claude Monet and Camille Pissarro were leaders of the movement
Artists using oil paint in tubes were now able to paint away from their studios en plein air (in plain air), or outdoors This allowed the artist to show accurate weather conditions and the effects of changing daylight using realism to their advantage Often artist would use dabs of paint or color to show the effects of light and shadow
A musical movement of the late 19th and early 20th centuries Inspired by the French impressionist painters, the movement had its impetus in the music of Debussy and Ravel
term taken from painting to describe music in which suggestion and atmosphere were of major concern The term has been applied to the music of Debussy (see "Impressionism")
{i} artistic movement originating in the late 19th century which attempted to reproduce the effect of light on objects using short quick brush strokes
Often considered the beginning of modern art, this movement arose from rebellion against the classical and sentimental subjects and precise techniques approved by the Académie des Beaux Arts in Paris Impressionists preferred plein air painting that was spontaneous and used natural light Foremost among the Impressionists were Edgar Degas, Claude Monet, Berthe Morisot, Camille Pissarro, Pierre Auguste Renoir, and Alfred Sisley
an art movement beginning in France in the 1870's, founded by an individualistic group of artists including, among others, Claude Monet, Auguste Renoir, Alfred Sisley and Camille Pissarro; all concerned themselves mainly with the components of light and the immediate visual impression of a scene using unconnected colors that were to be mixed by the eye; bright colors and bold brushwork were often used to achieve these impressions Examples
A style of music born in France and inspired by French painters This music has fuzzy chords, blurry harmonies, and suggests exotic locations See Debussy and Ravel
The theory or method of suggesting an effect or impression without elaboration of the details; a disignation of a recent fashion in painting and etching
An artistic style that sought to recreate the artistÕs perception of the changing quality of light and color in nature
As applied to poetry, a late 19th century movement embracing imagism and symbolism, which sought to portray the effects (or poet's impressions), rather than the objective characteristics of life and events (Compare Classicism, Idealism, Metaphysical, Objectivism, Realism, Romanticism)
A stylistic period of composition that sought to put to music only the most immediate, direct impressions, upon the composer, of a given subject Impressionism avoided traditional harmony of thirds, employing more often quartal or quintal tonality
a school of late 19th century French painters who pictured appearances by strokes of unmixed colors to give the impression of reflected light
Impressionism is a style of painting developed in France between 1870 and 1900 which concentrated on showing the effects of light on things rather than on clear and exact detail. Movement in art that developed in France in the late 19th century. In painting it included works produced 1867-86 by a group of artists who shared approaches, techniques, and discontent with academic teaching, originally including Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Alfred Sisley, and Berthe Morisot. Later Édouard Manet, whose earlier style had strongly influenced several of them, Mary Cassatt, Edgar Degas, Paul Cézanne and others joined them. The identifying feature of their work was an attempt to record a scene accurately and objectively, capturing the transient effects of light on colour and texture. To this end they abandoned the traditional muted browns, grays, and greens in favour of a lighter, more brilliant palette; stopped using grays and blacks for shadows; built up forms out of discrete flecks and dabs of colour; and often painted out of doors, rather than in the studio. They abandoned traditional formal compositions in favour of a more casual and less contrived disposition of objects within the picture frame, and their subject matter included landscapes, trees, houses, and even urban street scenes and railroad stations. After the French Academy's Salon consistently rejected most of their works, they held their own exhibition in 1874; seven others followed. A critic described them derisively as "impressionists," and they adopted the name as an accurate description of their intent. Before dissolving in the late 1880s, the group had revolutionized Western painting. See also Post-Impressionism; Salon des Indépendants. In music, a style initiated by French composer Claude Debussy at the end of the 19th century. The term, which is somewhat vague in reference to music, was introduced by analogy with contemporaneous French painting; it was disliked by Debussy himself. Elements often termed impressionistic include static harmony, emphasis on instrumental timbres that creates a shimmering interplay of "colours," melodies that lack directed motion, surface ornamentation that obscures or substitutes for melody, and an avoidance of traditional musical form. Impressionism can be seen as a reaction against the rhetoric of Romanticism, disrupting the forward motion of standard harmonic progressions. The other composer most often associated with Impressionism is Maurice Ravel. Impressionistic passages are common in earlier music by Frédéric Chopin, Franz Liszt, and Richard Wagner, and in music by later composers such as Charles Ives, Béla Bartók, and George Gershwin
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