born 1488, Paredes de Nava, Castile died 1561, Toledo, Castile Spanish sculptor and painter. His father, Pedro Berruguete, was a great Renaissance painter. Alonso worked in Florence and Rome 1508-16. In 1516 he returned to Spain, and in 1518 he became court painter to Charles V. He succeeded primarily as a sculptor, however, and became known for his intensely emotional Mannerist sculptures of figures portrayed in spiritual torment or in transports of religious ecstasy. His best-known work is a set of wooden reliefs with highly expressive figures for choir stalls in Toledo Cathedral (1539-43). Berruguete's use of a rather rich and extravagant but delicate ornamentation in his church decorations is typical of Spain's Plateresque style. He is considered the greatest Spanish sculptor of the 16th century
born March 19, 1601, Granada, Spain died Sept. 3, 1667, Granada Spanish painter, sculptor, and architect. He studied in Sevilla with Francisco Pacheco and was active as court painter in Madrid (1638-44). Despite a violent temperament, Cano produced serene and elegant religious paintings and sculpture. He worked for much of his career in Granada, where he designed the facade of the Granada Cathedral (1667), one of the masterpieces of Spanish Baroque architecture. He is often called the Spanish Michelangelo for the diversity of his talents
orig. Alicia Martínez Hoyo born Dec. 21, 1921, Havana, Cuba Cuban ballerina, choreographer, and director. She studied in Havana and New York, where she danced with Ballet Theatre (later American Ballet Theatre; 1940-41, 1943-48, 1950-55, 1958-59). In 1948 she formed her own company, Ballet Alicia Alonso (renamed Ballet Nacional de Cuba in 1959), with which she performed frequently on tour in Latin America. Despite failing eyesight, she continued for many years to dance leading roles as a guest artist with American Ballet Theatre and other companies